This worked in many ways,
according to the beliefs of different times and peoples.
Simply to put a ring on
another person’s finger was to bind that person to you—an early magical belief
which has endured as a symbol in the engagement and the wedding ring.
To protect the wearer
against the powers of evil in the world, rings are adorned with potent gems, or
carved with potent symbols.
Turn the emerald in a ring
on a poised snake, and the snake was stricken blind, as the nineteenth-century
poet Moore remembers in Lalla Rookh:
Blinded like serpents when
they gaze
Upon the emerald’s virgin
blaze.
The snake itself, being
associated with the sybils and other prophets of old and linked with man in
earliest Bible story and man’s most fateful hour, is also a most potent and
frequent device.
It might be carved upon the
ring, or the whole ring itself might represent a serpent, eating its own
tail—like the worm Ouroboros that winds around the world and keeps it from
bursting asunder—or with its head nestling upon its body, watching for the
approach of danger.
Being itself a lurking
danger, the snake obviously was most fit to search out hidden evil.
A snake ring of gold with
ruby eyes was often on the finger of George IV of England.
Marianne Ostier, Jewels andthe woman (The romance, magic and art of feminine adornment)
Photo: Pixabay/GDJ
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